This time I tried to be creative to create images with the HDR technique. Hope you are happy and enjoy.
photography dan photoshop
Minggu, 12 Desember 2010
Rabu, 29 September 2010
my other photoshop creations part two 1. before after 2. before original image by della latif after 3. before original image by della latif after 4. before original image by rolly latendengan after 5. before original image by rolly latendengan after 6. before original image by rolly latendengan after |
Senin, 27 September 2010
photography
the impressions of the D3000 @ bira island, Indonesia
Improve your photos with our expert help. Here are 9 quick landscape photography tips to help you give your pictures a breath of fresh air…
Whether you're new to digital photography or just searching for some inspiration, our quick and easy photography tips will help you take better pictures with the minimum of fuss.
1 The magic hour
Beautiful landscape photos are often defined by the quality of light they were taken in. As a consequence, photographers tend to shoot early in the morning or during late afternoons when the sun is lower, less contrasty and often displays a subtle colour palette of moody hues. For this reason, the hours after dawn and before dusk are known as the ‘magic hours’. If rising at dawn doesn’t sit well with your idea of a relaxing weekend, don’t panic – there are plenty of great landscape opportunities throughout the day.
2 Composition
Composition is key to a successful landscape image, and if you don’t know where to start, use the ‘rule of thirds’ to get things going. It’s an easy principle to apply – simply divide your frame into imaginary thirds on both the horizontal and vertical axis. Now simply place areas of interest at the points at which the lines intersect or – in the case of a horizon – along one of the lines. However, don’t be afraid to throw away the rule book and totally disregard the conventions of composition. While you might have some awful failures, you might also create an original and striking masterpiece. Be bold and experiment.
3 Get out there
There’s no substitute for putting in a bit of groundwork before embarking on a photographic adventure. Research and find the best locations, get a map, a compass and remember that you’ll probably have to get out of the car and walk to get the best shots.
4 Polarising filters
Most landscape photographers will have a circular polarising filter in their kit bag. There are many uses for filters like this, but for the landscape photographer the two key characteristics are their ability to cut out relections and nasty glare from a scene and the increased colour intensity, saturation and contrast they create. You’ll really notice the effect in clear blue skies.
5 Depth of field
Many landscape shooters desire an image that appears sharp throughout the scene, so that elements of foreground interest, such as a rock in a lake, look just as sharp as the distant horizon. This can be achieved relatively easily using the principles of depth of field, whereby the smaller an aperture you use, such as f/22, the greater the area both before and beyond the point of focus also appear to be sharp. This principle can be taken one step further with hyperfocal focusing. Generally, when you’re using small apertures you’ll need to compensate with slow shutter speeds, so a tripod is essential.
6 ND grads
One of the great problems for landscape photographers is the difference in brightness between the sky and the land. While the human eye is capable of perceiving detail across this tonal range, a digital sensor isn’t capable of recording it. So ND Grads (neutral density graduated filters) were created and have been avidly used by landscape shooters ever since. Their gradual transition from clear to dark neutral density allows the photographer to balance the exposure between the sky and the land to make a more even exposure in which detail remains in both the highlight and shadow areas. An alternative to this is exposure blending, where different exposures are made of the scene.
7 Man and the landscape
Great landscape photography is not necessarily about hunting out the most picturesque scene, in the most wonderful light and at the most perfect time of day. Indeed, there are many aspects of the world’s landscape that are less glamorous, such as the effects of heavy farming, rapidly expanding suburbs and sprawling industrial wastelands, that can make a poignant subject for the concerned photographer. Take a look at the effects of man on the landscape near your home and use them as photographic subjects.
8 RAW
To maximise on quality and also to allow you to edit your original images non-destructively, always shoot your landscapes in the RAW format. RAW processing software, such as adobe camera raw, is now so sophisticated that unless you want to significantly manipulate your image you rarely need to switch to traditional image-editing software, such as Photoshop.
9 Slow exposures
Slow exposures are regularly used by landscape photographers, whether it’s to optimise depth of field with a small aperture or to create smooth and milky seas. Exposures can be seconds (rather than fractions of a second) long, so a sturdy tripod is a must. To further minimise camera movement during the exposure consider using a cable release or your camera’s self-timer, as well as locking the mirror up.
labels : photographytips
photoshop tips
Membuat Langit Lebih Dramatis, Dengan Blending Mode Multiply Photoshop
Saya akan mencoba menuliskan satu tutorial sederhana, yaitu untuk membuat langit tampak lebih dramatis tanpa membuat FG menjadi gelap dengan menggunakan layer blending MULTIPLY pada Adobe Photoshop.
Berikut ini adalah langkah-langkahnya :
1. File asli yang akan kita olah.
@muara angke
2. Selanjutnya kita gandakan (CTRL+J) layer BACKGROUND hingga mendapatkan layer BACKGROUND COPY.
3. Lalu pada layer duplikat tersebut kita ubah BLENDING MODE nya menjadi MULTIPLY, maka akan terlihat langit menjadi lebih baik tetapi pada FG akan menjadi gelap dan kehilangan banyak detail.
4. Lalu kita pindah ke Channels Pallete, gandakan Channel BLUE.
5. Setelah itu lakukan Curves adjustment pada duplikat channel BLUE tersebut dan menaikan kontras sehingga jelas dan tegas perbedaan antara hitam dan putihnya.
6. Setelah itu kita klik tombol LOAD AS SELECTION di bawah, lalu pilih channel RGB kembali, bisa ditambahkan feather (SELECT>FEATHER / ALT+CTRL+D) supaya lebih halus gradasi nya.
6. Setelah itu kita klik tombol LOAD AS SELECTION di bawah, lalu pilih channel RGB kembali, bisa ditambahkan feather (SELECT>FEATHER / ALT+CTRL+D) supaya lebih halus gradasi nya.
7. Setelah itu kita pindah ke LAYERS PALLETE dengan seleksi yang kita dapatkan tadi kita klik tombol ADD LAYER MASK yang ada di bawah, lalu jika pada layer mask masih ada FG yang bocor terkena BLENDING MULTIPLY bisa anda BRUSH dengan warna HITAM.
8. Jika hasil blending MULTIPLY kurang membuat langit menjadi dramatis anda dapat menggandakan layer yang kita mask tadi beberapa kali hingga anda suka dengan hasilnya. Pada contoh foto ini saya menggandakan menjadi 3 layer
8. Jika hasil blending MULTIPLY kurang membuat langit menjadi dramatis anda dapat menggandakan layer yang kita mask tadi beberapa kali hingga anda suka dengan hasilnya. Pada contoh foto ini saya menggandakan menjadi 3 layer
9. Sampai pada tahap ini langit sudah terlihat lebih indah dan dramatis, tetapi foto masih terlihat FLAT. Maka itu kita tambahkan 1 Layer Adjustment BRIGHTNESS/CONTRAST di mana kita akan mengurangi BRIGHTNESS nya dan menambah CONTRAST nya (Isi parameter sesuai dengan selera dan kondisi file anda), kemudian merge all layer (SHIFT+CTRL+E).
10. Pada tahap akhir saya beri UNSHARP MASK untuk menajamkan detail, dan inilah hasil akhirnya :
10. Pada tahap akhir saya beri UNSHARP MASK untuk menajamkan detail, dan inilah hasil akhirnya :
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